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Merlin, the virtual 4th major, represents the world`s most important set of independent music rights. Merlin commenced operations in May 2008 and since then has struck deals with a number of digital services including Rdio, Spotify, Sony Music Unlimited, Deezer, Google Play and Simfy. Merlin seeks to ensure its members have effective access to new and emerging revenue streams and that their rights are appropriately valued and protected. Merlin represents by far the largest and most compelling basket of global independent rights in the world and so offers the most efficient means of licensing this repertoire. Members include Rough Trade, Warp Records, Epitaph, Naïve, Tommy Boy, One Little Indian, Yep Roc/Red Eye, Kontor New Media, Beggars Group, Merge,!K7, PIAS, Domino and Koch/E1. Their artists include Vampire Weekend, Adele, Arcade Fire, The xx, Neko Case, The National, Tom Waits, Spoon, Grizzly Bear, DJ Khaled, Dorrough, Tiësto, Scooter and many, many more. A global organization, its members` market share in the US alone is reported at around 10%, equivalent to that of the smaller major labels, whilst in Europe member labels released 72% of the top 60 independent albums issued in the past three years and commanded a 11% digital UK market share in 2009. Most recently, streaming service Spotify publicly announced that Merlin repertoire represented over 10% of the usage on its service.
Friend of Wildlife is a Raleigh, NC-based company in the Media and Entertainment sector.
MarketGID USA is a Marietta, GA-based company in the Media and Entertainment sector.
Chief Sanus Audio Visual is a Savage, MN-based company in the Media and Entertainment sector.
The International Alliance of Theatrical Stage Employees, Moving Picture Technicians, Artists and Allied Crafts of the United States, Its Territories and Canada was founded in 1893 when representatives of stagehands working in eleven cities met in New York and pledged to support each others’ efforts to establish fair wages and working conditions for their members. Our union has evolved to embrace the development of new entertainment mediums, craft expansion, technological innovation and geographic growth. Today, our members work in all forms of live theater, motion picture and television production, trade shows and exhibitions, television broadcasting, and concerts as well as the equipment and construction shops that support all these areas of the entertainment industry. We represent virtually all the behind-the-scenes workers in crafts ranging from motion picture animator to theater usher. During a period when private sector union membership has been in sharp decline the IATSE has continued to grow. Since 1993 our membership has increased from 74,344 to more than 119,000. This growth is attributable to our willingness to adapt our structure to protect our traditional jurisdiction and accommodate new crafts. But that alone is insufficient. The IATSE has maintained and enhanced its position in the vanguard of the entertainment industry through effective rank and file empowerment, political engagement, and our dedication to grass roots organizing. On both the International and local union levels, the motivating principle of the IATSE is to represent every worker employed in our crafts.